Bio/Statement





BIO


Peter Barnitz is a contemporary painter, sculptor and installation artist.  He received his Bachelor of Fine Arts degree (2004) from Loyola University of New Orleans and his Master of Fine Arts degree (2011) from the University of New Orleans.  He is currently a member of the TEN Gallery (New Orleans, LA) and works as the resident artist and head basketball coach at Kenner Discovery Health and Sciences Academy High School.  In 2012, Mr. Barnitz established the Barnitz Academy of Fine Arts, where he instructs art workshops for children and adults.  In 2014, Mr. Barnitz was appointed to the Kenner Rivertown Arts Council, where he serves as the chairman.  He was born and raised in Metairie, LA and currently lives and works out of his home studio in Kenner, LA.

His exhibition portfolio spans both nationally and internationally in more than 40 select exhibitions (solo, group, collaborative), including the 2016, 2017 and 2018 ArtFields Exhibition (Lake City, South Carolina), the 2015 Exposure Nature Collection at the Musee du Louvre (Paris, France) and the 2015 and 2017 Louisiana Contemporary at the Ogden Museum of Southern Art (New Orleans, LA).  His work has been selected for print and digital circulations including Studio Visit Magazine, Carolina Arts Magazine and reviewed in several publications, such as New Orleans Art Insider and The New Orleans Advocate.  A recent curatorial project includes the 'Down By the River': P.S. Satellite Exhibition-Project of Prospect New Orleans presented by the Rivertown Arts Council.




Artist Statement


Minimal yet full of life, my artwork choreographs geometric structure with visceral gesture to form a Balanchine-esque ballet of concentration, patience, poise and the human spirit.  The combination of these values encourage a contemplative, tranquil and balanced response, where the onlooker is engulfed in a cloud of networks, persuading them to explore the surface and yield to their own understanding.  The artwork is composed of complex multiple layered patterns using lines, planes and brushwork, which prompt a tango between the foreground and the background and encourage a dialogue between organic forms, geometric structure, and abstract landscapes.

My art consists of  the repetition of patterns, shapes, numbers, text, and found objects which suggest concepts of communication, nature, and mathematics as art.  My work addresses the aesthetic and formal aspects of the art itself and embraces the process and experience of creating.  I use repetition of lines and shapes to create what I regard as a peaceful gathering of energy.  These patterns can be freely interpreted as the co-dependency between everything in existence, which contributes to the changing balance of life.  Similar to my patterns, my sculptures fuse several layers of found objects to form a larger structure with the intention of creating a new meaning and life of those objects.  The wide variety of subject matter in my artwork stems from a continuous and honest investigation into our constantly changing world.

The patterns and forms created are not only a symbol of hard work and determination, but a celebration of life, art of the human hand, and exploration up close and afar, where the process of creation collides with a spiritual and meditative goal. 
  
  





About the Pattern




     The power of simplicity through repetition is a significant theme throughout the work I create.  The most complex blueprints and organisms in the universe can be broken down into basic elements, which are the building blocks of the world in which we live.  Through the use of mark-making, I simplify those elements to create neutral experiences intended to generate both thoughtful and thoughtless contemplations, which correspond to a sense of harmony with the world and oneself.  This simplification reveals the ideas of the escape from space and time, Zen, meditation, juxtaposed, superimposed, minimalism, a-focal art, science, and art of the human hand.

      The pattern is a visual portrayal of the idea of doing without thinking, which is similar to the surrealist idea of automatic drawing but engages a learned progression of mind to hand coordination, through practice and rhythm, at a moment in time.  For example, the motion offense in basketball is a never ending continuation where the whole team is constantly moving in unison, all reacting and relating to one another based on where the ball is on the court and how the defense reacts.  Through practice, repetition and discipline, this movement becomes automatic, and the team reacts without thinking, always knowing where the teammates are located.  Similar to what is taught in the practice of tai chi and Zen, my pattern is the whole mind and body working in harmony.  Many of these patterns are created within a single session of non-stop painting, where decisions of what line goes where become similar to breathing.  I consider the web patterns to be a visual representation of concentration, patience, poise and the human spirit.  These repetitive ideas were ingrained in my everyday activities at a very young age, especially through practice and preparation in athletics, all the way through my collegiate basketball career and into my art discipline.
                
     The simple triangle pattern using rhythmic brush strokes on a large scale canvas, combined with the colors overlaying dot pattern, creates an intentionally tranquil painting.  It is Abstract Expressionism united with Australian Aborigines paintings, where the celebration of the process of painting collides with a spiritual, meditative goal.  The combination of simple repetitive dots and brush strokes, are intended to create an intricate web of seemingly infinite space.  The contrast between the dot-pattern on top of the brush stroke web pattern, trigger a unique recipe of shapes within the painting that enhances a sense of tranquility or excitement, depending on the individual.  The idea of patterns within patterns exposes the development of a second inspiration in the process involving the web pattern in reaction to the second overlaying pattern, signifying the interpretation of the unconscious and the acceptance of life.  The second overlaying dot pattern is a deliberate revealing of the automatic natural web pattern that suggests both a rhythmic beat, as well as, a guide to what can be seen within the pattern through my eyes.  The combination of these values encourage a contemplative, tranquil, balanced and relaxed response, where the viewer is engulfed in a cloud of networks, persuading the viewer  to allow their eyes to explore the surface.  Similar to my web pattern paintings, Mark Tobey’s paintings and drawings, such as The Advance of History, focuses on meditation and the interpretation of space.


     The pattern is not only a symbol of hard work and determination, but a celebration of life, nature, up close or from a far, where the process of creating collides with a spiritual and meditative goal.  It is a way of life, a discipline, a place of peace and contemplation.  It is a creation of depth, space and motion, simple and complex, like a song or the silence between beats of a drum.
          


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